|
Tool
|
Definition
|
|
Bridge
|
More than a transition, a bridge is a section that contrasts with the
verse and is used to break up the repetitive pattern of a song. In a bridge
the pattern of the words and music change.
|
|
Canon
|
One or more voices imitates a leading melody or voice. This often
includes two or more overlapping parts. A round is a perpetual canon.
|
|
Call and Response
|
Where one instrument (or voice) initiates and another follows in a
similar way (either melodically or rhythmically).
|
|
Chorus
|
Repeats at least once musically and lyrically; contains the main
message or theme of the song. Frequently contains greater musical and
emotional intensity than the verse.
|
|
Countermelody
|
A second melody above or below the main melody
|
|
Development
|
One of the ways a musical idea is communicated. It refers to changes
or variations to the initial material. Often contrasted with musical
variation.
|
|
Duration
|
The amount of time or interval in a composition. Includes the length
of notes or whole songs, syncopation, tempo, etc.
|
|
Dynamics
|
Primarily focuses on volume. It can refer to the volume of individual
notes, changes in volume (whether sudden or gradual), accented notes,
articulation, etc.
|
|
Extension
|
Developing a phrase or motif by making it longer.
|
|
Fragmentation
|
Breaking a theme into pieces in order to develop it.
|
|
Harmony
|
Is about the vertical arrangement of sound (everything that’s going
on at a single moment in the song). It incorporates chord, diatonic tonality
(major, minor, dominant), tension and resolution, consonance and dissonance,
countermelodies, etc.
|
|
Imitation
|
Repeating a melody by one or more instruments or voices. This usually
occurs shortly after the melody’s first appearance in a piece of music.
|
|
Introduction
|
Comes at the beginning of the piece. Usually contains music and no
words. Often creates the atmosphere or feel of the song.
|
|
Inversion
|
Reversing the order of a melody, rhythm, harmony, phrase, theme, or
motif.
|
|
Melody
|
Refers to the horizontal arrangement of sound. Melody includes
sequences of notes, patterns (phrases, riffs, sequences, motifs), pitch
changes, melodic features that speak to particular generic conventions, etc.
|
|
Motif
|
A short musical idea, recurring figure, fragment, or succession of
notes that has special significance or is characteristic of a particular composition.
|
|
Repetition
|
An exact (usually immediate) repetition of a phrase or melody.
|
|
Sequence
|
Repeating a motif. Longer melodic, or longer harmonic passage at a
higher or lower pitch. Usually occurs in the same voice.
|
|
Structure
|
About all the sections of the music (the total composition of the
song). It includes elements of music (intro, verse, chorus, bridge, etc.), repetition,
variety, contrast, development and unification, use and treatment of other
material (samples and sequencing), use of well-known musical forms, etc.
|
|
Texture
|
Primarily refers to the density of the music. Can include the number
of instruments or tracks, mixing in the record, musical voicing, an
instrument’s tone, broad musical textures (monophonic, homophonic,
polyphonic), etc.
|
|
Timbre
|
Primarily refers to tone. This can include the way instruments or
voices sound, different tonal techniques used, electronic alteration, etc.
|
|
Transition
|
The movement from one musical idea/section to another. Transition can
vary in how smooth or abrupt they are.
|
|
Variation
|
A musical technique where material is repeated in an altered form.
|
|
Verse
|
Often consists of rhyming lyrics. Musically, it prolongs the home key
of the song. Lyrically, it provides the details of the song (story, events,
images, emotions, etc.)
|
Comments
Post a Comment